Bell Jar or Brave New World? Considering Esther’s Comfort in a Dystopia

It is no secret that Esther Greenwood is enormously discontent in her current world, suffering in the sour air of the bell jar. The bell jar creates a dystopia of her own perception, one induced by her mental state and amplified by the expectations of womanhood. I can’t help but wonder if perhaps Esther would be more content in an entirely “other” world, despite it being dystopian, and flawed. Thus, I was drawn to my illegal copy of Brave New World (long story--I got it at a used book store and did not think to look at the publisher. Typos riddle my see-through pages that are centered in the strangest way. It really is the most interesting reading experience. I highly recommend, if anyone wants to borrow it). While there are certainly aspects of this dystopian world that Esther would not appreciate, there are a few that might alleviate her hatred of her current one.

Throughout The Bell Jar, Esther displays a general disgust toward child-bearing and motherhood. She says, “If I had to wait on a baby all day, I would go mad” (182, Silvia Plath). It is clear she doesn’t even want to think about giving birth--let alone doing so herself, as the 1950s so adamantly expected of her. This leads us to the first aspect of Brave New World that might appeal to Esther: parenthood and childbirth are taboo. At the very mention of the word “parent” by the Director (who is in charge of producing children–they are genetically engineered, rather than born), “There was an uneasy silence. Several of the boys blushed. They had not yet learned to draw the significant but often very fine distinction between smut and pure science” (20, Aldous Huxley). “Mother” is considered an even more lewd term, never uttered unless in a purely scientific setting. With this avoidance of the subject of parenthood, Esther wouldn’t need to even consider the prospect of producing progeny.

Perhaps the astute reader will now wonder, what of Esther’s desire to lose her virginity? If parenthood is considered smut, then surely sex must be incomprehensible in Brave New World? To that I would say: you are gravely mistaken. Brave New World’s entire focus is pleasure--through soma (a drug that makes you happy and peaceful), comfort, and sex. It is encouraged for people to never have simply one partner: in fact, the female protagonist, Lenina, is warned by her friend for not sleeping around enough: “I really do think you ought to be careful. It’s such horribly bad form to go on and on like this with one man” (36, Aldous Huxley). Perhaps this differing ideology in Brave New World would suit Esther. After learning that Buddy had slept with another woman before their getting together, Esther is consumed with the desire to sort of “get him back” by sleeping with someone else. 

Unfortunately, Brave New World would not actually be the perfect utopia it wishes to be for Esther. Sexism is still prominent in the world, as the quote I cited for the expectation for women to sleep around is immediately succeeded by Bernard, the male protagonist, complaining about how his friends talk about Lenina: “‘talking about her as though she were a bit of meat’” (40, Aldous Huxley). Objectification has not passed from this Brave New World, something that would most definitely negatively impact Esther. 

Further, there is a push against what is beautiful in Brave New World--such as flowers, or literature (the children are actually shock trained at a young age to despise these things: strange that there is shock therapy in both books, although my mind draws a blank on any significant connections between the two). Esther’s sole passion of writing would probably not thrive in this anti-intellectual dystopia. Perhaps she could relate to my favorite quote from my dubious copy of Brave New World, “But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin” (215, Aldous Huxley). Or perhaps she would rather have a muted world than one under the bell jar. I don’t know, but it is certainly a fun possibility to ponder. Please somebody ask to see my illegal copy of Brave New World. It’s my pride and joy.

Comments

  1. Can I see your copy??

    All the connections you drew between these two books was really interesting. You did an awesome job of making it so I could understand the setting of Brave New World you were placing Esther into while not giving any spoilers. Offering a dystopia as a morphed version of Esther's Utopia makes me wonder: would Esther be happy in a perfect Utopia, or are the difficulties of life necessary for her to grow? (hence the fact it's a coming of age novel :D )

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  2. HARMONY this is such a cool comparison!! I like the idea of Esther being in a modern world without the problems and expectations surrounding sex, especially because the 1950s life she lives is very binary and filled with manipulative people. I do kind of think it would be along the same lines of thought about gender and sexism, because as you mentioned men objectify women in this world quite a bit. Like you mentioned, I think any world where she experiences containment would most likely not go great-- the bell jar at least could be removed but terrifyingly hovering above her head. Still, I think you hit the nail on the head about who Esther is and her thoughts about sex. Also, I am very intrigued about this really cool sounding book...If I could borrow it perhaps? I love a dystopian novel :D

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  3. TOTALLY agree with Cadence on the beautiful balance you were walking here with not-spoiling and context of Brave New World--- this is so compelling! Mayhaps i will ask to borrow your copy while you are away on Spring Break?? On the blog itself, I think each of the themes you've connected to your analysis on some of Esther's character are very fitting: terrified of pregnancy + ambivalent sexual curiosity + hatred of sexism and double standards? That's Esther for you right there! /j I will say, you've also piqued my interest in this book as well: I tend to avoid dystopian novels because they can seem generic and honestly the real world seems like a crazier dystopia a lot of the time these days, but this seems fascinating! Great job exploring this world-jumping concept :DDDD

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  4. Harmony,

    I seriously admire your ability to discover substantive literary comparisons in practically anything. In fact, the similarities are almost uncanny: it's very interesting that there's another example of juxtaposing the expression of human sexuality with a disdain for childbirth + motherhood. It also seems apt to equate Esther's view of the world with a dystopian setting, what with her consistently grotesque depictions of everyday life. It's unfortunate that Huxley's world comes with sexism and no value for literature, else I might have thought it was Esther's dream come true! I also love the quote (the super cool me of my dreams also wants all those things). I've been meaning to read the book for a long time, but you've certainly convinced me to make the leap. There appears to be a growing line for your illicit copy of Brave New World, but I would love to join the queue. Awesome post!

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  5. I'm intrigued by your bootleg _Brave New World_: it's somehow oddly meta-dystopian to suffer through a sketchy bootlegged copy of a dystopian work of fiction. I agree that Plath depicts the conventional American society (especially the suburbs) as Esther experiences it in dystopian terms: just think of the formerly human Dodo Conway being reduced to a walking fertility symbol, egg balanced on egg, surrounded by an indeterminate number of children. She's a "breeder" who has been drugged by that stuff Esther hears about on her tour of the hospital, suffering the pain of childbirth but being "brainwashed" to forget all about it and get pregnant again. And Esther feels like that one conscious person in a dystopian setting, the only person sane enough to question this dehumanizing system. Perhaps the most "dystopian" sentence in the book is when Esther casually mentions that she imagines the state of being happily married as being a "numb slave in a totalitarian state." If we see her struggles with depression and mental illness as in part a response to an intolerable system--Esther being "driven crazy" by an infuriatingly unfair world--then a dystopian framework places out attention on the social system that shapes human behavior. Dystopian fiction is always primarily about the culture or society being depicted, with the human protagonists serving to reflect all that is wrong, inhuman, or nightmarish about that system.

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  6. Amazing post Harmony! I can't say that I've read Brave New World but this post is definitely encouraging me to do so. This is a super interesting way to look at Esther's character as someone who is disillusioned with her current surroundings yet finds her passion in the gritty and raw elements of the world we live in. Thank you for this comparison!

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  7. Harmony, reading your blog is one of my favorite things ever. Truly love your writers voice. This reminds me of that theory about how different versions of the world would be if we took away or added certain prejudices. for example, a world where race or gender doesn't matter but height does. Anyways, I loved the connections you made between these books! Great job!

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  8. Harmony, I'm now wishing you included a picture of one of the pages of your bootleg version! I admit I am quite curious. I always find myself looking for your blog because I never can expect what topic you focus on (In a good way, of course). I like the idea of imagining Ester in somewhat opposite sort of dystopia, and what she would take from there. While I think she might be quite interested, something I also enjoy is how critically Ester sees the world, which makes me think she would be quick to point out the flaws in the society of Brave New World as well. In a way, both are opposite sides of how the world objectifies women, through the lens of a housewife babymachine or a sexual object. When it comes to patriarchal commentary, Ester was ahead of the game, and it makes me wonder how she'd view the world today, with all its steps towards and away from progress.

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